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  • Sony XDCAM is a series of professional camcorders including the XDCAM SD, XDCAM HD, XDCAM EX and XDCAM HD422. They are capable of shooting in either standard definition or high definition. After recording some 1080p or 720p footages by your Sony XDCAM camcorder, you may want to play the XDCAM footage with QuickTime on your Mac.
  • Note that, as with PDZ-1, XDCAM Viewer and XDCAM EX Clip Browser these are. Or, is this the 'window' allowed by Sony to download free and it will remain.
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The PMW-EX1 is the first in a new range of professional HD products - called XDCAM EX - which record onto memory-based SxS ExpressCard media. Designed from the ground up to exploit the ultimate high performance of SxS PRO memory cards, the PMW-EX1 combines a state-of-the-art, non-linear XDCAM workflow with simply the best HD quality yet seen in a compact camcorder.

Sony’s File-based compatibility chart with NLE
Apple Final Cut Pro 6.0.5
Sony Vegas Pro 9
XDCAM HD
HD422
(1920*1080)
50 Mbps
Yes
TBC
Yes
HD420
(1440*1080)
18/25/35 Mbps
Yes
Yes
XDCAM
IMX
(PAL 720*576)
(NTSC 720*480)
30/40/50 Mbps
Yes
Yes, with MainConcept
plug-ins
Yes
DVCAM
(PAL 720*576)
(NTSC 720*480)
25 Mbps
Yes
Yes
XDCAM EX
HD420
(1920*1080)
(1440*1080)
35/25 Mbps
Yes
Yes
Yes
HDV
M2T
(1440*1080)
25Mbps
Yes, with free
download plug-ins
Yes
DVCAM
(PAL 720*576)
(NTSC 720*480)
25Mbps
Yes
Yes
Yes
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XDCAM HD
XDCAM EX
Codec
MPEG 2 Long GOP
MPEG 2 Long GOP
Container
MXF
MP4
Bitrate
Selection
50Mbps
35Mbps
25Mbps
18Mbps
25Mbps DVCAM
35Mbps
25Mbps
Recording Media

Professional Disc

SxS PRO
HDD
Resolution1920*1080
1440*1080
720*576 PAL
720*480 NTSC
(PAL & NTSC switchable)
1920*1080
1440*1080
1280*720
1440*1080
720*576 PAL

Sony Product Line Focus
XDCAM EX
Who?BroadcasterProduction HouseIndependent
Content Creator
Why?-Proxy Video
-Ease of Archive
-Ultra Fast Transfer
-Stunning picture quality
-HDSDI output
-Cost Efficient
-Portability
-Hybrid (Tape + CF)
Benefits-Pre-edit with PDZ-1
-Field-edit easy setup
-Instant postproduction starts
-Clip Browser conversion tools
-Reasonably priced
-Machine size good for extreme angle

Benefits of IT combined workflow
Why?
Metadata
Produced faster- Faster than realtime transfer- Non-Linear characteristic- Shooting
- NLE Edit
- Status Flag to keep track
with good shots and NG shots
Higher quality- Efficient compression
algorithm
- R&D from Sony’s Factory and Engineer- XDCAM invention- Warning generated from
feature like sudden audio
change assure you a perfect output
Fewer errors- Preview content is
almost instant
- No pre-roll time is needed as in the linear world- Filename can now be generated
automatically
- Proxy preview is ready for fast transfer
- Simple XDCAM file structure
Lower costs- Cheaper Storage
Media
- No need special
attention to
- Content stored in
Professional Disc
- Non-contact beam
recording mechanism
- Clip-base drag
and drop saves
dubbing time
- Video Content indexing tools in-built

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What is it?It is an area for users to store production related
materials
1) Organize project files in one go
2) Field application becomes more
efficient (PD replacing network transfer)
3) Achieving data security (out of reach
from hackers)
Why is it there?Providing users with handy access to script, voiceover,
graphics and log sheet
Where?Clip => Highres
Edit => EDL from PDZ-1
Sub => Lowres proxy video
General => up to 500MB storage
Userdata => no upper limit storage till Disc Full
How?Once formatted with XDCAM Device, this folder
generated automatically
When to use?Optimized for standalone edit workstation with no
network access

Cross platform data interchange between PC and MAC
Format
NTFSRead / WriteRead Only
FAT32 (Limited to 4GB/file)Read / WriteRead / Write
XDCAM UserData (Exceed 4GB/file)Read / WriteRead / Write
UserData area becomes a “portable share drive” that allow users to transport files till Disc Full

What’s Metadata?
Metadata describes…
content, quality, condition, and other characteristics about data
who, what, where, why, and how of a data set

Why Bother with Metadata?
Documenting data is critical to preserving its usefulness over time
– Where did the data come from?
– Where were they collected?
– How accurate are they?
– How are they to be appropriately used?

For data developers, metadata helps:
Avoid duplication saves storage space
• Share reliable information to achieve workflow efficiency
• Reduce workload by maximizing output

Proxy Video
Proxy Video is a form of metadata. It consists of highly compressed, very low resolution video (with sound) that mirrors a high resolution original master digital recording. Since proxy AV data is timecode synchronized with the original, much smaller in size, and can be sent faster than real-time over TCP/IP networks, it can be used quickly for viewing, scripting and editing. In many applications, such as television news, it saves time to edit the proxy AV data first and then automatically edit the high-resolution data based on the proxy. Using this method, editing can occur in the field.


Operation Improvement with metadata
File
Clip Duration
No
Producer has total control over video content volume
Aspect Ratio
No
Avoid errors while migrating from SD to HD
Thumbnail Picture
No
0 cue up time, instant playback
Record Date/Time
No
Trace of shot taken information, sorting arrangement

Sony XDCAM with NLEs
Apple Final Cut Pro Users
Adobe Premiere Pro Users
Features
-Proxy Edit
-All Sony’s Format support
-PDZ-1 generated editlist support
Advantages
-XDCAM, XDCAM EX
and HDV content
mixing
-Sub-clip the needed
portion only
-Flexibility for producer to
pre-cut edit anywhere
and conform in Vegas
Benefits
-Save Cost
-Manpower best use
-Being a complete
solution, this combo
ensure seamless
integration
-Save on machine
lock up time

Conclusion
- Sony File-based Device – perfect for planning workflow
- XDCAM line of product – end to end solutions
- Integration with 3rd party software – adapt to wide range of setup

Adobe Premiere Pro is a timeline-based video editing software application. It is part of the Adobe Creative Cloud, which includes video editing, graphic design, and web development programs. Adobe Premiere Pro provides support for several file formats, making your post-production workflows compatible with the latest broadcast formats.

Premiere Pro Supported native video and audio formats

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FormatDetails
HEVC (H.265)H.265 8K UHD media with resolutions up to 8192×4320 in MXF
H.264 AVCVarious media that use H.264 encoding
DNxHRDNxHR LB, DNxHR SQ, DNxHR TR, DNxHR HQ, and DNxHR HQX
OpenEXRFiles in .EXR, .MXR, and .SXR formats
3GP, 3G2 (.3gp)
Apple ProRes 64-bitImport only on Windows
ASF Netshow (Windows only)
AVI (.avi)DV-AVI, Microsoft AVI Type 1 and Type 2
DV (.dv)Raw DV stream, a QuickTime format
DNxHDSupported in native MXF and QuickTime wrappers
F4V (.f4v)Import only
GIF (.gif)Animated GIF
M1VMPEG-1 Video File
M2TSony HDV
M2TSBlu-ray BDAV MPEG-2 Transport Stream, AVCHD
M4VMPEG-4 Video File
MOV

QuickTime Movie format

Note: Windows requires QuickTime player

MP4QuickTime Movie, XDCAM EX
MPEG, MPE, MPGMPEG-1, MPEG-2
M2V DVD-compliant MPEG-2
MTSAVCHD
MXF

Media eXchange Format

MXF is a container format that supports:

  • * P2 Movie: Panasonic Op-Atom variant of MXF video in DV, DVCPRO, DVCPRO 50, DVCPRO HD, AVC-Intra
  • * XDCAM HD Movie
  • * Sony XDCAM HD 50 (4:2:2)
  • * Avid MXF Movie
  • * Native Canon XF

Note: You can preview Native Canon XF files in the Media Browser,
and the use of metadata is supported.

Native MJPEGs1DC
VOB
WMV

Windows Media, Windows only

Note: Render Type-1 AVI clips before previewing from a DV device.
To render a Type-1 AVI clip, add it to a sequence in a DV project, and preview it.

Premiere Pro Supported native camera formats

Premiere Pro lets you work with a wide range of native media formats from the latest DSLR cameraswithout transcoding or file rewrapping.

The media formats listed here are supported for directly importing and editing with Premiere Pro CC. The required codecs are built in to Premiere Pro CC, and supported on both Mac OS and Windows systems unless stated otherwise.

https://helpx.adobe.com/premiere-pro/using/supported-file-formats.html

ARRI AMIRA cameraPremiere Pro provides built-in support for the ARRI AMIRA camera, with appropriate color LUTs applied as master clips on import.
Canon XF, Canon RAW

You can work natively with Canon XF and Canon RAW footage, including footage from Canon Cinema EOS C300 and C500 cameras.

Premiere Pro lets you import and edit QuickTime formats natively including Apple ProRes and MOV files that Canon 5D and 7D cameras capture. You can clip metadata without any transcoding, rewrapping, or logging and transferring required

.

CinemaDNG

Premiere Pro lets you import and edit uncompressed CinemaDNG media from the following cameras:

  • * Blackmagic Cinema Camera
  • * Blackmagic Pocket Cinema Camera
  • * Convergent Design Odyssey7Q

When working with CinemaDNG media, you can access the Source Settings and edit the metadata parameters. CinemaDNG can be debayered on a supported GPU for extreme playback performance.

Panasonic AVC, P2 cameras

You can native import and edit media from the following cameras:

  • * Panasonic P2 cameras and across multiple P2 cards
  • * Panasonic AVC Ultra
  • * Panasonic AVCi 200
  • * Panasonic AVC Ultra Long GOP (Group of Pictures)
Phantom Cine mediaYou can natively import and edit Phantom Cine media shot on Vision Research Phantom cameras.
RED support

Premiere Pro CC supports working natively with RED Digital Cinema (R3D) footage from the following cameras:

  • * RED ONE
  • * RED EPIC
  • * RED Scarlet-X cameras with support for RED Rocket
  • * Red Dragon including RED Dragon 6K
  • * Color Science like REDcolor2, REDgamma2, and REDlogFilm

Note: RED format clips use the GPU (OpenCL and CUDA) for debayering for an improved and faster playback performance.

Sony cameras

You can import and and edit media from the following cameras directly, without rewrapping or transcoding:

  • * Sony XDCAM
  • * Sony XDCAM 50
  • * Sony XAVC
  • * Sony XAVC LongGOP (Group of Pictures)
  • * Sony XAVC-S
  • * Sony SStP
  • * Sony RAW (F65, F55, F5, FS700 cameras)

You can browse the imported clips using the Media Browser and organize them using camera metadata.

Premiere Pro Supported audio file formats

FormatDetails
AAC
AC3
Including 5.1 surround
AIFF, AIF
ASND
Adobe Sound Document
AVI
Video for Windows
BWF
Broadcast WAVE format
M4A
MPEG-4 Audio
mp3mp3 Audio
MPEG, MPGMPEG Movie
MOV
QuickTime; requires QuickTime player
MXF

Media eXchange Format

MXF is a container format that supports:

  • * P2 Movie: Panasonic Op-Atom variant of MXF, with video in DV,
    DVCPRO, DVCPRO 50, DVCPRO HD, AVC-Intra
  • * XDCAM HD Movie
  • * Sony XDCAM HD 50 (4:2:2)
  • * Avid MXF Movie
WMA
Windows Media Audio, Windows only
WAV
Windows Waveform

Premiere Pro Supported still-image and still-image sequence file formats

Note: Premiere Pro supports 8bpc (4 bytes per pixel) and 16bpc (8 bytes per pixel) still-image files.

FormatDetails
AI, EPS
BMP, DIB, RLE
DPX
EPS
GIF
ICO
Icon File (Windows only)
JPEG
JPE, JPG, JFIF
PICT
PNG
PSD
PSQ
Adobe Premiere 6 Storyboard
PTL, PRTLAdobe Premiere title
TGA, ICB, VDA, VST
TIF

Premiere Pro Supported closed captioning and subtitle file formats

FormatDetails
DFXPDistribution Format Exchange Profile
MCCMacCaption VANC
SCCScenarist Closed Caption File
STLEBU N19 Subtitle File
XMLW3C/SMPTE/EBU Timed Text File

Premiere Pro Supported video project file formats

FormatDetails
AAF Advanced Authoring Format
AEP, AEPX After Effects project
CSV, PBL, TXT, TABbatch lists
EDL CMX3600 EDLs
PLBAdobe Premiere 6.x bin (Windows only)
PREL
Adobe Premiere Elements project (Windows only)
PRPROJ
Premiere Pro project
PSQ
Adobe Premiere 6.x storyboard (Windows only)
XML
FCP XML

About file formats

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Some filename extensions - such as MOV, AVI, MXF, and F4V - denote container file formats rather than denoting a specific audio, video, or image data format. Container files can contain data encoded using various compression and encoding schemes. Premiere Pro can import these container files, but the ability to import the data that they contain is dependent on the codecs (specifically, decoders) installed.

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By installing additional codecs, you can extend the ability of Premiere Pro to import additional file types. Many codecs installed into the operating system (Windows or Mac OS) work as a component inside the QuickTime or Video for Windows formats. Contact the manufacturer of your hardware or software for more information about codecs that work with the files that your specific devices or applications create.

Note: Video and still-image files that you want to import must not be more than the maximum dimensions allowed. For more information on maximum dimensions in Premiere Pro, see the Premiere Pro Work Area blog.

Why can't Premiere Pro import my file?

If you're trying to import a file into Premiere Pro, and Premiere Pro is telling you that it can't import that file, this could be for a few different reasons. And there are three most common reasons that you might not be able to import a file into Premiere Pro.

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1. You might be running the trial version of Premiere Pro CS6 or earlier. Note that Premiere Pro CC doesn't have these limitations on the the trial version.

2. You might be trying to import a file of a format that Premiere Pro doesn't import, so check the file for format supported for import, to see if your file is listed.

3, If you're trying to import a file, in a container that Premium Pro does support, it may be that codec used in that container file, is not one that Premium Pro can import.

Possible Solutions:

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Install Necessary Codecs

In many cases you can install a codec to give Premiere Pro the ability to import, the container file, with that codec. There are various free utilities that can tell you what kind of a codec is used inside of a file, one of them is called GSpot, and another is called Media Info. So if you can't import a file into Premier Pro check these things first.

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Convert Files

If you are certain that your operating system has all the necessary codecs installed, but you still cannot open or import the file, try converting the video to another file format and then opening the clip in Premiere Pro. According to my experience, the editing-friendly file format for the Premiere Pro application is MPEG-2. However, the program supports nearly every video file format. EaseFab Video Converter Ultimate (available for Windows and Mac users) offers an easy way to convert any file you may have into an optimized MPEG-2 codec that Premiere can use quickly and efficiently, and is a great tool to have alongside premiere if you commonly work with multiple file types.

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> Resource > Instructables > Adobe Premiere Pro Supported File Formats

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